The goal was never to report the result. It was to elevate the moment.

So the aftermovie doesn’t open on a starting grid. It opens on a man at a mirror (former F1 driver Johansson), helmet off, shot in black and white, one last look at the camera before everything cuts to colour. A wink to Pulp Fiction, and to every film that knows the quiet matters as much as the noise. This isn’t coverage. It’s a film about the one place that doesn’t drive like anywhere else.

One hundred years deep. Watch the full film.